Edward Weston: The Flame of Recognition, contributors embody Nancy Newhall, Aperture, 112pp, £30 (pb)
First printed by Aperture in 1965 and reissued this 12 months in a Sixtieth-anniversary version, Edward Weston: The Flame of Recognition marks a turning level within the historical past of pictures, each as an artwork type and as a topic of important inquiry. The e-book was the New York-based journal Aperture’s first monograph and emerged from the overwhelming response to a particular Weston-dedicated challenge. It laid the muse for what would change into Aperture’s revered photobook publishing programme, serving to to set a benchmark for modern pictures monographs that mix visible craft with mental engagement.
Weston, a founding member of Group f/64—a collective of West Coast photographers together with Ansel Adams, Imogen Cunningham and Willard Van Dyke—was central to the motion to raise pictures past its documentary origins. The group championed “pure” pictures, characterised by sharp focus, wealthy element and unmanipulated imagery, as a rejection of the soft-focus pictorialism then in vogue.
Together with his meticulous large-format compositions and expertise for remodeling each basic topics reminiscent of nudes and landscapes, and extra ephemeral kinds like shells and peppers, Weston confirmed pictures’s capability for formal refinement and conceptual weight. In The Flame of Recognition, Nancy Newhall, Weston’s longtime collaborator and a co-founder of Aperture, paired his photographs with excerpts from his Daybooks and letters—an editorial selection that underscored the medium’s literary and philosophical depth. T.S.
Drawn to MoMA: Comics Impressed by Trendy Artwork, printed by The Museum of Trendy Artwork, New York, 2025
Picture courtesy The Museum of Trendy Artwork.
Drawn to MoMA: Comics Impressed By Trendy Artwork, Alex Halberstadt and Arlette Hernandez (editors), The Museum of Trendy Artwork, 200pp, $45 (hb)
Twenty-five graphic artists convey the Museum of Trendy Artwork in New York to life on this comics anthology with contributions from Jon Allen, Gabrielle Bell, Barbara Brandon-Croft, Jessica Campbell, Roz Chast and Ted Closson. Initially launched by the Museum of Trendy Artwork in 2019 as an online sequence exploring the intersection of comics and museums, the “venture advanced right into a multi-year publishing effort to bridge the hole between the artwork of comics and the expertise of visiting museums”, says a writer’s assertion. “This e-book’s contributors have taken their development, their trauma, and their histories and turned them into tales about taking a look at artistic endeavors,” writes the cartoonist Walter Scott within the introduction. The duvet is designed by the author and illustrator, Kristen Radtke. G.H.

The Deadly Scroll: A Herculaneum Thriller, Eric Siblin, ECW Press, 240pp, $24.95 (pb)
This new thriller focuses on a famed papyrus scroll which nearly perished when the Roman metropolis of Herculaneum was coated in ash and pumice after the eruption of the Vesuvius volcano in 79 AD. Marcus Sinclair, a historical past instructor, is the protagonist who inherits an indecipherable papyrus scroll from his antiquarian uncle, says a writer’s assertion. The e-book is billed as “a literary homicide thriller concerning the shady facet of the antiquities commerce, historical philosophy, and tech’s utopian guarantees” (spoiler: the plot additionally encompasses a Neapolitan trafficker in antiquities and a lifeless Google software program engineer). The publication additionally coincides with The Vesuvius Problem, which makes use of AI to unlock the texts within the papyrus scrolls that had been carbonised when the Roman metropolis of Herculaneum was coated in ash and pumice after the eruption of the Vesuvius volcano in 79 AD. G.H.

Secondary: Matthew Barney
courtesy: Rizzoli Electa
Secondary: Matthew Barney, Rizzoli Electa, contributors embody Mark Godfrey and Maggie Nelson, $115 (hb)
This two-volume publication charts the event of Barney’s five-channel video set up Secondary (2023-24) which was impressed by a tragic incident in skilled soccer; a 1978 recreation between the Oakland Raiders and the New England Patriots that left one participant, Darryl Stingley, paralysed for all times. His attacker, the Raiders’ defensive again Jack Tatum, walked away with out apology. Barney watched that incident repeatedly on tv as a teen coaching to be a high-school quarterback and its reminiscence by no means left him. Quantity one explores Secondary in depth, with sequences of unique video and manufacturing stills and set up views from every iteration and exhibition, says a writer’s assertion. Quantity two maps the lifetime of Barney’s former Lengthy Island Metropolis studio the place Secondary was launched. G.H.